I know there are plenty of people really into gear here. Although I love my Heritage H-575, the action has never been quite where I want it to be in comparison to some friends' guitars (even with set ups by professional luthiers). The guitar is used strictly for jazz, so it has heavy strings (Thomastik-Infeld Flatwounds - .014s). I'm not bending or anything. A local luthier has told me before that the frets are the weakest part of Heritage guitars. Heritage was using PLEK machines for a while, but mine is a '99 and Heritage wasn't using a PLEK machine then. I don't really have much visible fret wear (probably due to never bending). Hypothetically, how much could changing the frets contribute to better action? (I assume I would be changing to slightly different sized fret wire, not just putting the same size fret wire back on.) There are a couple of local luthiers who are very good, but it's a big job, so I don't totally trust them to give completely unbiased answers. Has anyone here had a full refret done to one of his/her guitars?
ask your luthier about jumbo frets.
they will wear down...if you have a truss rod...
you can get action ...I bought an old vintage classical
guitar (no truss)...neck is perfect but action 1/2 "
At 12th fret...guy says he must have left in car or garage..
warped at bridge..way high...have to put bowls of water
inside and cover hole for 2..3 weeks...hope it works
they will wear down...if you have a truss rod...
you can get action ...I bought an old vintage classical
guitar (no truss)...neck is perfect but action 1/2 "
At 12th fret...guy says he must have left in car or garage..
warped at bridge..way high...have to put bowls of water
inside and cover hole for 2..3 weeks...hope it works
It has a truss rod. It's an archtop. The strings are the TI bebop medium gauge. I'm looking for a Joe Pass/Wes Montgomery style sound. I used to play the medium light gauge (.013s), but it's just as easy to play the .014s and the tone is incredible.
Yeah, I know. I always get it set up professionally. It feels pretty good, but some of my friends' arch tops feel amazing. It definitely takes me a little more pressure to sound notes. It's noticeable. I stumbled upon the article below and it got thinking about it. I don't want to spend that kind of money unless the difference would be significant though.
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ask your luthier about jumbo frets.
Thanks!
my 60s gibson 325 ...that was nice jazz guitar. .
my jazz teacher in 70s had one...
Surprised you don't like the stock frets, pretty sure they would be medium jumbos.
Refrets, I am not a fan. But Probably only because I have heard my luthier complain about what a bitch it is to do... and the results are generally unpredictable (based on the desired result). I had a warmoth tele neck refretted with 6105 frets from some teeny ones that were on it when I bought it, and the fret board got tore up a little bit when he pulled the old ones out. I never got on with that neck but I think I didn't care for the profile anyway. Wasn't worth the hassle of the refret.
I don't think I have helped you at all here, lol.
Wish they were a little closer to me... although that might be bad because I am lusting after a few pieces they have!!
I take the Port Jeff ferry over there every mow and then.
Actually I would say leave that one you have as is and buy another. I have seen a Benedetto Bravo in the violin brown to black burst... that guitar was unbelievable, absolutely gorgeous... but I think it was also way (WAY) more than $3 grand!
Actually I would say leave that one you have as is and buy another. I have seen a Benedetto Bravo in the violin brown to black burst... that guitar was unbelievable, absolutely gorgeous... but I think it was also way (WAY) more than $3 grand!
Yeah, they are $5,000 new. You can find used ones in the $2,800 to $3,500 range, but there aren't many used ones out there and they sell quickly!
I just googled it. Awesome!
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If so, the job is complicated. If not, a good luthier can refret without much trouble.
I've had it done twice on acoustics. Both were improved, but both needed fret jobs going in.
I want to sit down side by side with some other archtops, but it will have to wait until my next trip to NY. I need to go to a place like Mandolin Brothers. Down here in VA, Guitar Center seems to be the only place that has them, and they only have a small selection of inexpensive guitars. That's not the comparison I want to make.
Can't help you much with archtops. Love their sound, but haven't owned one since the 70s. Went exclusively to acoustics back then and with the exception of one banjo, one solid body electric and a few ukes, flat top acoustics are all I own.
Go to frets.com and check out the articles on set up.
Great resource for issues like this.
One of these days I'll post a picture of some of my guitars.
They're great drooling material!
Also, one problem with checking specs on Heritage... not sure what year yours is but I'm thinking they were pretty custom at one point, not sure if they still are. Basically you ordered it with preferred specs... so to throw another wrench in everything if you didn't order your particular guitar it is possible to have been ordered with any number of options... nut width, profile, frets, even fretboard radius could be completely custom!
I only know this because when we replaced the nut on my H535, it was wider than 1-11/16 which took us by surprise a bit. The neck on mine was wide, with medium jumbo frets and a really flat fingerboard radius. Also I would say it was medium thickness or even slightly more narrow and was U-shaped. The neck on that guitar was unbelievable... also mine was built when they were using Schaller for their OEM pickups. Those pickups were fantastic, not super powerful (but powerful enough) really open and chimey. Damn it. Now I'm really missing that guitar again... lol
Check out how I got my Heritage... I traded a Les Paul 1960 Custom RI (It was Honeyburst on a plain maple top... GORGEOUS) which was a nice guitar, I had swapped the pickups for SD JB and '59 HBs... but I just never got on with that neck. I traded it straight up to East Coast Music Mall (Long gone... GREAT store) for the H535 and a G&L ASAT... I felt like I had won the lottery... lol. All I did was change the nut to Corian because someone had filed the original nut too low. I loved that guitar but I had it in my era (which spanned several years LOL) of severe G.A.S. and I ultimately sold them for something else. I regret getting rid of pretty much every guitar I have owned but the Heritage loss is particularly painful. Keep yours!