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Nominations in full Best Picture: Ford v Ferrari Jojo Rabbit Little Women 1917 Marriage Story Once Upon A Time in Hollywood Parasite Joker Best Director: Martin Scorsese, The Irishman Todd Philips, Joker Sam Mendes, 1917 Quentin Tarantino, Once Upon A Time in Hollywood Parasite, Bong Joon Ho Leading Actress: Cynthia Erivo, Harriet Scarlett Johansson, Marriage Story Saoirse Ronan, Little Women Charlize Theron, Bombshell Renee Zellweger, Judy Leading Actor: Antonio Banderas, Pain and Glory Leonardo DiCaprio, Once Upon A Time in Hollywood Adam Driver, Marriage Story Joaquin Phoenix, Joker Jonathan Pryce, The Two Popes Supporting Actress; Kathy Bates, Richard Jewell Laura Dern, Marriage Story Scarlett Johannson, Jojo Rabbit Florence Pugh, Little Women Margot Robbie, Bombshell Supporting Actor; Tom Hanks, A Beautiful Day in the Neighbourhood Anthony Hopkins, The Two Popes Al Pacino, The Irishman Joe Pesci, The Irishman Brad Pitt, Once Upon a Time in Hollywood Best Original Screenplay; Knives Out Marriage Story 1917 Once Upon a Time in Hollywood Parasite Best Adapted Screenplay; The Irishman Jojo Rabbit Joker Little Women The Two Popes Live Action Short Film; Brotherhood Nefta Football Club The Neighbors’ Window Saria A Sister Animated Short Film; Dcera Hair Love Kitbull Memorable Sister Original Score; Joker Little Women Marriage Story 1917 Star Wars: The Rise of Skywalker Best International Feature Film Award; Corpus Christi Honeyland Les Miserables Pain and Glory Parasite Sound Mixing; Ad Astra Ford v Ferrari Joker 1917 Once Upon a Time in Hollywood Costume Design; The Irishman Jojo Rabbit Joker Little Women Once Upon a Time in Hollywood Documentary Short; In the Absence Learning to Skateboard in a Warzone Life Overtakes Me St Louis Superman Walk Run Cha-Cha Documentary Feature; American Factory The Cave The Edge of Democracy For Sama Honeyland Achievements in Production Design; The Irishman Jojo Rabbit 1917 Once Upon a Time in Hollywood Parasite Achievements in Film Editing; Ford v Ferrari The Irishman Jojo Rabbit Joker Parasite Achievements in Cinematography; The Irishman Joker The Lighthouse 1917 Once Upon a Time in Hollywood Achievements in Visual Effects; 1917 Avengers: Endgame The Irishman The Lion King Star Wars: The Rise of Skywalker Achievements in Make-up and Hairstyling; Bombshell Joker Judy Maleficent: Mistress of Evil 1917 Best Animated Feature Film; How to Train Your Dragon: The Hidden World I Lost My Body Klaus Missing Link Toy Story 4 Best Original Song; I Can't Let You Throw Yourself Away, Toy Story I’m Gonna Love Me Again, Rocketman I’m Standing With You, Breakthrough Into the Unknown, Frozen II Stand Up, Harriet |
And that's not even including others like Uncut Gems and Knives Out. Really cool original stories. Bummed to see Sandler not get a nom although I'm not sure who you take out to get him in
If it is a timing thing, then why wouldn't all potential Oscar pictures be released around the same time frame to have the the recency bias?
If it is a timing thing, then why wouldn't all potential Oscar pictures be released around the same time frame to have the the recency bias?
It had a limited release on Christmas to make it eligible
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but I am still going to ask. How is 1917 included in this years Oscar's nominees when it was theatrically released in 2020?
If it is a timing thing, then why wouldn't all potential Oscar pictures be released around the same time frame to have the the recency bias?
It had a limited release on Christmas to make it eligible
That makes sense, I am surprised that more potential Oscar candidates aren't released like that. Build the hype for a "limited release", then have a world wide opening right after the holidays.
And that's not even including others like Uncut Gems and Knives Out. Really cool original stories. Bummed to see Sandler not get a nom although I'm not sure who you take out to get him in
I have very complicated feelings on Parasite. I’m very happy to see a foreign film breakthrough, and I’m also very happy to see it make a boatload of money.
However, I can’t help but feel like while it’s very good, it’s not great. I wanted to like it a lot more than I actually did.
Have two more to see before the awards are given out. All in all, the best movie year since 2007, IMO.
Great year for movies.
Matthew Rhys who plays a journalist and gets much more screen time.
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the main Actor in the Mr. Rogers movie that Hanks is up for Supporting Actor?
Matthew Rhys who plays a journalist and gets much more screen time.
Thanks. I haven't seen the movie, but the trailer makes it seem like Hanks is the main guy.
No, Matthew Rhys was the main actor in the film. The movie was really about him, and his life. Tom Hanks played a major role in the movie, obviously, but it was more about how he impacted the life of ‘Lloyd’ and bettered his life.
Supporting nomination is correct
I agree best supporting actor is a toughie, but I would give it to Hopkins. A tougher role, IMO
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In comment 14776685 figgy2989 said:
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but I am still going to ask. How is 1917 included in this years Oscar's nominees when it was theatrically released in 2020?
If it is a timing thing, then why wouldn't all potential Oscar pictures be released around the same time frame to have the the recency bias?
It had a limited release on Christmas to make it eligible
That makes sense, I am surprised that more potential Oscar candidates aren't released like that. Build the hype for a "limited release", then have a world wide opening right after the holidays.
Yep it's a smart move when you know you've got a good film, like 1917. The hype builds via reviews and people go right away to see it. They did very well at the box office this past weekend
The Globes are a joke. The Oscars are the only ones that matter.
As far as the real value of any of this, one’s mileage certainly may vary. I know I still get excited when one of my favorites wins. I don’t know why I feel that way, but I do.
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I have very complicated feelings on Parasite. I’m very happy to see a foreign film breakthrough, and I’m also very happy to see it make a boatload of money.
However, I can’t help but feel like while it’s very good, it’s not great. I wanted to like it a lot more than I actually did.
Have two more to see before the awards are given out. All in all, the best movie year since 2007, IMO.
Totally agree on Parasite, and it will win International (deserves it) though I loved Pain and Glory.
The Farewell was also a great film, zero noms.
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And don't tell me the shape of the trophy. These yahoos just had an award ceremony congratulating themselves. Do they really need another one?
The Globes are a joke. The Oscars are the only ones that matter.
As far as the real value of any of this, one’s mileage certainly may vary. I know I still get excited when one of my favorites wins. I don’t know why I feel that way, but I do.
70 or 90 journalist pick Golden Globe winners. Nothing to do with the academy.
I never said this before (about movies being unoriginal), but looking at some statistics 2019 saw the third lowest tickets sold for movies in the last 25 years and had the 3rd lowest inflation adjusted revenue in that time period.
According to many surveys, price is one factor as is streaming/internet, but every survey lists the lack of interesting movies as a factor.
and not just from old guys, in fact old guys (as a demographic group) is a consistent group.
Just like sports ticket sales, i don't expect movie ticket sales to increase or stay flat. People just want to stay home and not spend the money, or deal with crowds, etc.
But when someone tells me there's nothing original being made anymore just because the Rock makes another shitty movie, I have to strongly disagree.
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as to why the old guys screaming at clouds thinking hollywood isn't original anymore are full of shit.
I never said this before (about movies being unoriginal), but looking at some statistics 2019 saw the third lowest tickets sold for movies in the last 25 years and had the 3rd lowest inflation adjusted revenue in that time period.
According to many surveys, price is one factor as is streaming/internet, but every survey lists the lack of interesting movies as a factor.
and not just from old guys, in fact old guys (as a demographic group) is a consistent group.
It's a big factor for me. I'm in the suburbs with access to two theaters. It's all Marvel, Pixar, Starwars (Disney basically)
Neither theater has ever shown a Wes Anderson movie...any of them. I gotta drive into D.C. for things like Uncut Gems, The Lighthouse, JoJo Rabbit, ect. It blows.
One of my dreams is to open a single screen theater in my town, with a bar in the front. Just to screen to movies I would like to see on a large screen w/ a good sound system.
I thought it downright sucked
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I thought it downright sucked
I was just about to post about being the only one who did not see the greatness in The Irishman.
Peter Chernin, Jenno Topping and James Mangold, Producers
THE IRISHMAN
Martin Scorsese, Robert De Niro, Jane Rosenthal and Emma Tillinger Koskoff, Producers
JOJO RABBIT
Carthew Neal and Taika Waititi, Producers
JOKER
Todd Phillips, Bradley Cooper and Emma Tillinger Koskoff, Producers
LITTLE WOMEN
Amy Pascal, Producer
MARRIAGE STORY
Noah Baumbach and David Heyman, Producers
1917
Sam Mendes, Pippa Harris, Jayne-Ann Tenggren and Callum McDougall, Producers
ONCE UPON A TIME...IN HOLLYWOOD
David Heyman, Shannon McIntosh and Quentin Tarantino, Producers
PARASITE
Kwak Sin Ae and Bong Joon Ho, Producers[/img]
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In comment 14776797 penkap75 said:
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I thought it downright sucked
I was just about to post about being the only one who did not see the greatness in The Irishman.
I stumbled upon Casino yesterday morning and I couldnt stop watching it despite having seen it several times. I dont know if i'll ever watch the Irishman again.
Was thinking that as well. Some serious star power.
It's not well known, but that movie began as a 24 hour marathon film. Thank god for editing.
It's a big factor for me. I'm in the suburbs with access to two theaters. It's all Marvel, Pixar, Starwars (Disney basically)
Neither theater has ever shown a Wes Anderson movie...any of them. I gotta drive into D.C. for things like Uncut Gems, The Lighthouse, JoJo Rabbit, ect. It blows.
Where do you live? There are certainly theaters in the DC suburbs showing these types of movies
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but how did it get nominated for Outstanding Achievement in Film editing? The movie was over three hours long! I think the "editor", longtime Scorsese collaborator and two-time Oscar winner Thelma Schoonmaker, took a minimalist approach this time around.
It's not well known, but that movie began as a 24 hour marathon film. Thank god for editing.
They could have cut another hour out and I don't think anyone would have noticed
Like Goodfellas, Casino is an incredibly re-watchable film. If I come across it, I'm not flipping away.
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It's a big factor for me. I'm in the suburbs with access to two theaters. It's all Marvel, Pixar, Starwars (Disney basically)
Neither theater has ever shown a Wes Anderson movie...any of them. I gotta drive into D.C. for things like Uncut Gems, The Lighthouse, JoJo Rabbit, ect. It blows.
Where do you live? There are certainly theaters in the DC suburbs showing these types of movies
Other side of the river in La Plata, Maryland. So D.C. or Alexandria usually for about half the stuff I actually want to see.
The Farewell was also a great film, zero noms.
I thought it was horrible. I agree with no noms for that movie. It seems you either love it or hate it. I am in the latter but I can see why some people love it. Just didnt do it for me.
The awards aren't that credible, really. HFPA was famously corrupt but got embarrassed and finally had to clean up its act. The Globes voters, which are a very small group, are also very aware of what makes a good TV show, and cast the show, er, nominate actors, accordingly.
The Academy Awards are voted on by several thousand professionals in most crafts related to moviemaking. You have to either be nominated for an award or be invited in — it's a highly select group, the most select group of any awards body I can think of. That's why the Oscars have credibility and prestige.
The Academy isn't subject to the kind of corruption as the Globes and isn't as sensitive to ratings as the HFPA. Not even as sensitive as ABC would like them to be. However they moved their honorary awards to a separate event to streamline the telecast.
However, the Academy of Motion Picture Arts has its own skewed gaze. Membership is for life, and in most crafts you need a substantial body of work to get in, so the members skew old. Historically, it was "Hollywood" (Southern California) centric. Some branches are very much "old boys' clubs" that know each other and nominate each other. And the Academy is as subject to weird moments of mass stupidity as any other group. ("Forrest Gump" over "The Shawshank Redemption"? Really?)
Also, the Academy Awards were created to encourage "artistic" filmmaking at a time when the movie business was making a lot of salacious stuff and getting a bad reputation. It's "elitist" by design in that sense. It's not supposed to honor what's popular, it's supposed to encourage high-minded, artistically ambitious work that will buff the reputation of the industry. The Globes have no such pretentious.
So there ya go.
The music cues, oddly, really moved me. Especially the last music cue. If you see it, you'll know what I'm talking about.
You should see it if/when you can.
I take it the lighthouse was worth the watch? I am leery of these artsy fartsy weird horror movies. Last two (the witch and some other turd I forget) were highly acclaimed and I couldn’t finish either one.
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Boo!
I take it the lighthouse was worth the watch? I am leery of these artsy fartsy weird horror movies. Last two (the witch and some other turd I forget) were highly acclaimed and I couldn’t finish either one.
Well it's by the same guy that did the Witch. This is his 2nd film. I liked The Lighthouse better.
It's certainly weird, but to me it isn't quite a horror film.
There's some elements but it's more like folklore. More unsettling than trying to be scary. Like Old Timey Sea fairing folk legends meets 'Night of the Hunter' meets 'The Shining'
Dafoe gives a performance he seems born for. Absolutely perfect. And Pattinson hangs right there with him.
All that said, it might be more artsy than The Witch. It's black & white,shot in 1:19/1 ratio(almost square frame), and some unreliable narrative stuff going on, but by design and not a short coming.